Actors, Directors… Acting/Theatre Practitioners
Our goal is to train unique actors, rather than just good actors.
We took “talent,” opened it up, and saw what it was made of. Then we figured out how to put it back together.
"I’ve never experienced anything as deeply transformative as this before"
Mike
"I've never done something like this! Working with them taught me how to be great in front of a camera way more than anything I've done before in my life!"
Sara
The Relationship Method
is composed of four essential steps:
MOTION AND EMOTION TRAINING
Exercises to train an actor’s awareness of their body and movements in space in light of the relationship between movement and emotion.
DRAMA INSTINCT
A series of exercises to develop an actor’s onstage instincts in relation to the space and to others.
MICRO-MOMENTS
Acting “micro-moments” means connecting the emotions to even the tiniest of movements or gesture. We use the Mask (which exists in many cultures all over the world) in a unique way, all our own.
THE CHARACTER AND THE TEXT
Here we apply all of the previous steps to texts. It is the culmination of the entirety of the course.
Over the course of the years that we have worked together we have discovered a deep knowledge of who we are and how we exist in the world. We hope to bring that to you.
We hope you will join us!
The Relationship Method
Our Courses:
RM – THE FULL METHOD
Our approach to the actor’s art
RM – MASK ACTING
Our point of view on one of the most powerful mean of acting
RM – ACTING FOR OPERA
A way for Opera singers to become extraordinary artists.
Contact us!
The Relationship Method
is composed of four essential steps:
MOTION AND EMOTION TRAINING
Exercises to train an actor’s awareness of their body and movements in space in light of the relationship between movement and emotion.
DRAMA INSTINCT
A series of exercises to develop an actor’s onstage instincts in relation to the space and to others.
MICRO-MOMENTS
Acting “micro-moments” means connecting the emotions to even the tiniest of movements or gesture. We use the Mask (which exists in many cultures all over the world) in a unique way, all our own.
THE CHARACTER AND THE TEXT
Here we apply all of the previous steps to texts. It is the culmination of the entirety of the course.
Chiara & Valerio
Actors, Directors… Acting/Theatre Practitioners
Our goal is to train unique actors, rather than just good actors.
We took “talent,” opened it up, and saw what it was made of. Then we figured out how to put it back together.
"I’ve never experienced anything as deeply transformative as this before"
Mike
"I've never done something like this! Working with them taught me how to be great in front of a camera way more than anything I've done before in my life!"
Sara
The Relationship Method is composed of four essential steps:
MOTION AND EMOTION TRAINING
Exercises to train an actor’s awareness of their body and movements in space in light of the relationship between movement and emotion.
DRAMA INSTINCT
A series of exercises to develop an actor’s onstage instincts in relation to the space and to others.
MICRO-MOMENTS
Acting “micro-moments” means connecting the emotions to even the tiniest of movements or gesture. We use the Mask (which exists in many cultures all over the world) in a unique way, all our own.
THE CHARACTER AND THE TEXT
Here we apply all of the previous steps to texts. It is the culmination of the entirety of the course.